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BRIGHT STAR: CONCERT VERSION

STAGE MANAGER OF

by Steve Martin and Edie Brickell

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PRODUCTION/CREATIVE TEAM

DIRECTOR ........................................................................................................................................ Joey Banks

MUSIC DIRECTOR ................................................................................................ Dr. Beth Everett

TECHNICAL DIRECTOR ............................................................................... Patrick Crowley

COSTUME SHOP MANAGER .................................................................... Glenda Wolfe

MASTER ELECTRICIAN ................................................................................. Patrick Anthony

STAGE MANAGER ....................................................................................... Logan Holmes '22

ASSISTANT STAGE MANAGERS ................................................. Hailey Cagle '23

                                                                      Jillian Etheredge '24

COSTUME DESIGNER ....................................................................... Campbell Duffy '22

SCENIC DESIGNER .................................................................. Lilly Percifield-Smith '22

PROPERTIES MASTER ................................................................................... Connor Bate '23

LIGHTING DESIGNER ........................................................................... Andrew Snyder '23

                                                                           Luis Sandoval '22

SOUND DESIGNERS ........................................................................................ Rodd Simonsen

                                                                           Kyle Livingston '21

HEAD DRAMATURG ........................................................................................ Hannah Rutt '22

          Bright Star was my first opportunity to stage manage my own show, and it truly threw me in the deep-end in regards to maintaining clear communication and adapting to unfamiliar circumstances. This was Southwestern's first musical after the onset of the COVID-19 pandemic, and as such the actors were required to perform outside, masked, and distanced.

          On top of the COVID-related challenges of this production, we also faced a number of weather-related challenges: namely, the winter storm that stranded everyone at home for a week in the middle of our rehearsal process. Our actors and production crew had no way of safely reaching the school, certainly no way of rehearsing outside (see our stage drowning in snow on the left) and the storm left students without access to water, heat, wi-fi, or any combination of the three.

          We were eventually able to continue with virtual rehearsals and, later, in-person rehearsals but the unpredictability of this process was a huge wake up call to the reality of outdoor theatre, and the impact that external factors can have on any theatrical production.

SCRIPTS
Blocking
Calling
Show Bible
ANALYSES
Run Sheet

PAPERWORK SAMPLES

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PHOTO CREDITS

Georgetown Palace Theatre Productions by: Lindsey Brisbine

Midland High School Theatre Productions by: Cesar Padilla, Rodrigo Sanchez, Logan Holmes

The Full Monty by: TexARTS Theatre & Academy

Sweeney Todd, She Kills Monsters, American La Ronde by: Carlos Charles.

Bright Star, Little Women, The Wolves, The Effect, Heathers: The Musical by: Carlos Barrón.

Everybody, Some Girl(s) by: Christian Erben.

M*cbeth and headshots by: Hannah Kral.

Spring Awakening by: Eve Sharpee.

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